Memory

Opinion

Faces erased: Why Yerevan must preserve the memory of its fallen heroes 

Imagine walking through a familiar Yerevan underpass only to find blank walls where young Armenian faces once looked back at…

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Poetry

A jar of cherry jam

A thousand spoonfuls won’t suffice To satisfy this sweet tooth Helplessly entering its demise  My mind won’t stop replaying The…

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The Homeland

Golden Apricot 2026: A cinematic map of memory and borders

When the 23rd Golden Apricot Yerevan International Film Festival opens this July, it will arrive with newly secured international standing.…

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Commentary

What we remember

A common theme for humans in general, and for Armenians in particular, is to try not to dwell on the…

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Opinion

Can national dance bring us together?

In my previous piece, I reflected on how heavy and emotionally charged April is for Armenians. This year felt especially…

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Announcements

America’s oldest Armenian Church seeks founding families’ descendants

Armenian Church of Our Saviour in Worcester, recognized as America’s oldest Armenian church, is calling on descendants of its founding…

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Poetry

Petals from exiled roots

They ask me where I’m from like it’s a checkbox, a drop-down menu, a language I should select without hesitation,…

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Diaspora

Holding Ararat: Gagat Glass and the shape of memory

For diaspora Armenians, Ararat has always been something you feel but cannot touch. Designer Hajk Bagradjans, founder of Gagat Glass,…

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The Homeland

In search of memory: “Country of Dust,” Musa Dagh

In 2002, the whole family gathered together. On the screen were images of their birthplace, which they had left 60…

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Reviews

Joe Kassabian on “The Highlands Burn”

Fantasy is a genre often dominated by the pseudo-Medieval that rarely looks outside of a narrow European world. But Joe…

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