FeaturedThe Homeland

A village called Kornidzor

And the road not taken

I am sitting in Kornidzor, observing the February sun slowly withdraw. A flock of sparrows takes to the air, breaking the silence. On the dining table, a constellation of dried mulberries rests, and I think of the parting moment drawing near. How things grow more beautiful as they leave us. How easily new habits have taken hold. The watching at the window. The tilted nod. The pausing mid-street to crack open a sunflower seed. The widespread comma Senc e (“It’s like this”) to surrender to what is. 

Three women sit and converse. (Photo: Arin Boyadjian)

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Alexandra Merguerian

Alexandra Merguerian is a recent graduate of Uppsala University, Sweden, where she earned a Master of Arts in Holocaust and Genocide Studies. Passionate about human rights and deeply committed to social justice, Alexandra has dedicated much of her academic time to understanding the intricate relationship between trauma, historical memory and the law—particularly in relation to the Armenian Genocide and the Israeli-Palestinian conflict. She views storytelling as a powerful art form, essential not only to the survival of diasporic communities but also to the pursuit of reconciliation. Currently, Alexandra serves as a social-legal counsellor for the Jesuit Refugee Service (JRS) in Brussels, an international humanitarian organization dedicated to supporting refugees and displaced persons.

One Comment

  1. Thank you for your evocative description of life in Kornidzor. You captured how living in a border village, while presenting great challenges, can also open to a “world of possibilities” and beauty.

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