Tankian’s ‘Elect the Dead Symphony’ in a Theater Near You

BOSTON, Mass. (A.W.)–On March 16, 2009, Serj Tankian and New Zealand’s 70-piece Auckland Philharmonia Orchestra took the stage at the Auckland Town Hall in New Zealand and delivered an exhilarating and unique performance of Tankian’s latest solo album, “Elect the Dead.” Six cameras were set up to capture the performance in HD, and the resulting product is the impressive “Elect the Dead Symphony” CD/DVD set, due to be released on March 9, 2010. Tankian, Reprise Records, and Cinema Purgatorio have been working together towards worldwide movie screenings of “Elect the Dead Symphony” starting in February (confirmed screening dates and locations are listed below). Many of the show locations are being requested by fans and are being organized together with the Armenian American community, including the Armenian National Committee of America (ANCA).

The cover of Tankian's "Elect the Dead Symphony" album

“We are actively accepting suggestions for venues around the world,” announced Cinema Purgatorio. “These can be movie theaters, rock clubs, barns, bars, classrooms with video projectors, Armenian émigré cultural centers, and other assorted locations around the world. Suggest a screening, and we’ll see what we can do.” To make a screening suggestion, visit http://cinemapurgatorio.com/forms/etdss.

Aside from the orchestral performance of the tracks on the album, the “Elect the Dead Symphony” includes two bonus, never-before-heard songs, “Gate 21” and “The Charade,” interviews with Tankian and members of the Auckland Philharmonia Orchestra, as well as backstage footage.

What’s next for Tankian? It has been reported that his next album project, “Music Without Borders,” will most likely be released this summer. “It’s a new genre of music in some ways,” Tankian told Billboard.com. “It’s electro orchestra jazz-rock. It’s basically a full orchestra, full, heavy electronic beats, live instrumentation and resampling… You name it, it’s there. It’s a huge wall of sound.” Meanwhile, Tankian has been collaborating with writer and lyricist Steven Sater and Harvard University’s American Repertory Theatre’s Diane Paulus, toward a musical adaptation of Aescchylus’ tragedy, “Prometheus Bound.”

Confirmed screening dates
Note: These are movie screenings, not live performances. As of now, Tankian is not personally scheduled to attend any screening.

North America
Portland, Ore.: Feb. 19 at The Hollywood
Indianapolis, Ind.: Feb. 19 at Republic Theatres
Bloomington, Ind.: Feb. 19-20 at The Ryder at the Fine Arts
New Concord, Ohio: Feb. 19-21 at Muskingum University
Iowa City, Iowa: Feb. 19-21 at The Bijou
Providence, R.I.: Feb. 20 at The Cable Car
Seattle, Wash.: Feb. 20 at Northwest Film Forum
San Antonio, Texas: Feb. 21 at Alamo Drafthouse Westlakes
New York, N.Y.: Feb. 21 at The Leonard Nimoy Theatre at Symphony Space
Brookline, Mass.: Feb. 22 at The Coolidge Corner
Mount Pleasant, S.C.: Feb. 25 at Cinebarre
Salt Lake City, Utah: Feb. 26-27 at The Tower
New Haven, Conn.: Feb. 27 at Criterion Cinemas
Syracuse, N.Y.: March 4 at The Palace Theatre
Tempe, Ariz.: March 4 at Madcap Theaters
Shreveport, La.: March 6 at Robinson Film Center
Olympia, Wash.: March 6-11 at Olympia Film Society
Chicago, Ill.: March 7 at Lincoln Hall

Europe
Turin, Italy: Feb. 21-22 at Museo Nazionale del Cinema

Africa
Cape Town, South Africa: Feb. 21 at The Labia Theatre

Nanore Barsoumian

Nanore Barsoumian

Nanore Barsoumian was the editor of the Armenian Weekly from 2014 to 2016. She served as assistant editor of the Armenian Weekly from 2010 to 2014. Her writings focus on human rights, politics, poverty, and environmental and gender issues. She has reported from Armenia, Nagorno-Karabagh, Javakhk and Turkey. She earned her B.A. degree in Political Science and English and her M.A. in Conflict Resolution from the University of Massachusetts (Boston).
Nanore Barsoumian

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2 Comments

  1. This would  have been a very nice article had it told the reader what the “Elect the Dead Symphony” is actually about.   Is this some sort of joke or play on words?   What, may I ask, are we to make of“Gate 21”?   Is this about someone’s running late to catch a plane at an airport?

  2. Carl–you are correct in calling for more information in the reporting of this article. In the meantime, if you are still interested in the music not described go to Serj Tankian’s web site. Maybe the folks at Armenian Weekly can insert a link to facilitate anyone else who wishes to find out more about this young man’s music.

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