DiasporaLiterary Corner

Carolyne Topdjian on reimagining gothic horror for the modern reader

Carolyne Topdjian’s The Black Moth offers a compelling blend of suspense, atmosphere and psychological depth. The novel is the sequel to her first, the acclaimed The Hitman’s Daughter, and continues to explore the story of Mave and Holden, whose troubled pasts are interwoven with supernatural elements, creating a layered narrative with psychological complexities. The tale is marked by vivid prose and unexpected twists that draw readers into its eerie world. Topdjian doesn’t rely on gratuitous gore; instead, she ensures that every horror element serves the story’s emotional impact, deepening its themes of trauma and fortitude. In The Black Moth, Topdjian offers a gothic experience that is as much about her characters’ inner workings as it is about the external forces haunting them. 

Anouche Agnerian (A.A.): Can you walk us through your process for developing a gothic horror story? Do you start with a concept, a character or a setting?

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Anouche Agnerian

Anouche Agnerian is an author, editor, translator, graphic designer and publisher. Her poetry book, SGIZP (in Armenian), was published in 2015. She is the founder and president of Corridor Books, a publishing company dedicated to helping authors get published in digital and print formats. Agnerian holds a degree in English Literature from McGill University, has held editorial positions in several magazines, and is presently on the editorial boards of the literary periodical PAKINE and Horizon Weekly’s Literary Supplement. She is a contributor to several literary magazines and is currently working on a collection of short stories, which is to be released this summer.
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